whimsydearest

We Are the Beasts  by Gigi Griffis introduces a new historical horror inspired by the Beast of Gévaudan. As a total history nerd, the premise sounded intriguing. I was all on board to love this book. However, it’s spoiled by a bizarrely modern narrative voice and shoddy technical writing. For starters, the story is supposed to take place during the mid-1700s, and yet the writing is choppy and feels like it belongs more to a contemporary comedy. It’s filled with modern phrases like “not today, Satan. I’m not sure if the author was trying to appeal to a younger audience, but it felt so tonally off and completely took me out of the story. The author also continually begins sentences with “And.” While this is grammatically incorrect, I’m fine with authors occasionally splitting conjunctive clauses to create emphasis and for artistic effect. However, the author abuses this technique to the point that it loses its impact and disrupts the flow of the writing. Overall, I appreciate that th...

After angels raze the once-dazzling city of Azril to the ground, the demon Vitrine tries to rebuild her city as an exiled angel seeks her forgiveness. The City in Glass  by Nghi Vo is a beautiful gem of a novel—written with evocative, vivid prose that brings the city of Azril and its inhabitants to life. It’s a richly imaginative and heartfelt story about immortality, grief, and forbidden love. The demons in this world are grounded and sentimental, and you can’t help but feel for Vitrine. This is a sweeping tale that covers the course of centuries. Due to this nature, the pacing can be slow at times. It’s the true definition of a slowburn. However, if you’re in the mood for a quieter, more contemplative fantasy, this one will hit the spot. Thank you, NetGalley and Tortotdom, for providing me with an ARC in exchange for an honest review.

  The premise itself for  Metal from Heaven  by August Clarke is barrel of rip-roaring fun. It’s a gun-slinging, industrial revolution-inspired book that explores worker exploitation—albeit with a magical twist. However, all these stellar concepts unfortunately get watered down by shoddy execution. On a technical level, the writing quality was terribly inconsistent for me. The action sequences are awkward and clunky at times and riddled with comma splices. For instance, take a look at the following passage: "A man scrambled from his booth and threw himself across the gap, but the train lurched, his ankle twisted, he slipped and was caught just before gravity stole him by a second enforcer, who tossed him down in the second car, strode across him as she advanced on the bandits, but she’d lowered her weapon to catch him and had no time to ready it again." For a fast-paced action sequence, there is no artistic reason for this section to contain so many conjunctive clauses or...

Highschooler Andrew Perrault finds solace in the twisted fairy tales he writes, and his closest friend, Thomas Rye, brings his stories to life by illustrating them. Literally. Their lives are uprooted when they make the horrifying discovery that their creations are coming to life. Now the boys find a way to destroy the source of the monsters before they kill everyone they love. Don't Let the Forest In by C.G. Drews weaves a modern-day fairytale filled with achingly beautiful prose and thorns. Honestly, the writing is biting and had me hooked from the first page to the very last. All in all, if you enjoy books filled with angst, longing, and tight-bonds (in the vein of The Raven Boy s or Your Blood, My Bones ), I cannot recommend this book enough. Thank you, NetGalley and ‎Feiwel & Friends, for providing me with an ARC in exchange for an honest review.

From the author of  If We Were Villains  comes  Graveyard Shift , a new horror mystery novella. The story centers around an insomniatic group of night workers who stumble across a freshly dug grave, and, over the span of a single night, they try to uncover its secrets. I found the characters themselves to be fun and engaging and we get some crumbs of fantastic body horror, but the plot itself is threadbare. Granted, novellas can be a tricky length to tackle, and, clocking at only 144 pages, this book feels more like the barebones of a plot idea than a proper story. It feels incomplete. I wish it had been fleshed out and developed further because, as it stands, many questions go half-answered and the abrupt ending may leave readers unsatisfied. Thank you, Netgalley and ‎Flatiron Books, for providing me with an ARC in exchange for an honest review.

Lorelei Kaskel is a surly folklorist who is sent as a part of an expedition team to find the fabled source of all magic. However, when her mentor is mysteriously murdered aboard their ship, Lorelei must reluctantly team up with the beautiful naturalist Sylvia von Wolff to find the killer before they strike again. I was really looking forward to A Dark and Drowning Tide by Allison Saft. It was one of my most highly anticipated reads of the year, so I’m sad to say that this book turned out to be yet another milquetoast disappointment. This book was pitched a story as a sapphic rivals-to-lovers dark academia, but there isn’t any rivalry to be found. What I got instead was Lorelei throwing petty, high-school grade insults at Sylvia because she doesn't approve of her hand-own research approach. There are no compelling reasons and personal history of bad blood to justify Lorelai's animosity toward Sylvia, so their initial dynamics feel juvenile and shallow to me. There’s also a weird...